The new Écuyères essay is up at the Paris Review Daily’s blog: it’s about Baroness Jenny de Rahden. This is part of a series on circus horsewomen of nineteenth-century Paris. The earlier essays are on Selika Lazevski (research blog here), Sarah l’Africaine (research blog here) and my obsession with these circus horsewomen (research blog here). …
Continue reading “The Baudelairean Horsewoman: Jenny de Rahden”
Following on from essays for the Paris Review Daily about Selika Lazevski (here, with research notes here) and Sarah l’Africaine (here, with research notes here), I’ve written a third essay about my obsession with the horsewomen of the nineteenth-century Parisian circus who “lived at the center of public attention while simultaneously being marginal”. You can …
UPDATE: The viral photographs of Sélika set me hunting through archives and circuses from St Petersburg to Paris to uncover the lives of elusive women who were celebrated artistes, survivors, and scapegoats of the nineteenth century. I’m telling their stories now in Amazons of Paris. You can sign up here for more information and …
Continue reading “Everything I Don’t Know About Selika Lazevski”
I’ve been reading beautifully illustrated books about horses all my life and in the last twelve years I’ve trawled all sorts of academic articles and image libraries, so it’s always delightful to find an image I’ve never seen before. The Palazzo Pitti in Florence just opened an exhibit called Leopoldo de’ Medici: Prince of the …
Continue reading “Rapunzel Horses – the hot accessory of Early Modern Europe?”
Folks, I know you thought that the Montenegrin entry for Eurovision, a man with a six-foot ponytail – think top Friesian stud Frederick the Great or Khal Drogo with extensions – was the horsiest entry for this year’s Eurovision Song Contest, but you were wrong. Wrong! Here’s Slavko Kalezic in action: But here, my friends …
Last weekend I travelled to St Petersburg to start research on a new book and I thought I’d share my equestrian shots. I was only in this fascinating, complicated city for two and a half days and did not venture out of the very heart of it but I still found some horse history of …
I briefly mentioned King Duarte I of Portugal’s Livro da Ensinança de Bem Cavalgar Toda Sela (The Book on the Instruction of Riding Well in Every Saddle) in The Age of the Horse. It was written in 1434, 82 years before Xenophon’s On Horsemanship was first printed. If you’re used to the narrative in which …
Continue reading “Making Fearless Men: A Medieval Riding Lesson”
If you’ve come here after reading the Washington Post piece on the revival of sidesaddle in America (now going a little viral on Jezebel.com), here’s a selection from the archives – a little bit of everything from balloonists to tragic heroines, scandalous females and zebras ridden sidesaddle. I also wrote in detail about women and …
Continue reading “Sidesaddle in a Hot Air Balloon (and other adventures)”
I don’t blog much about the work I’m doing on book two (The Age of the Horse), but here’s a sneak peak of something I’ll be writing about. In November I was lucky enough to have three days at the Equestrian Academy at Versailles, where they were rehearsing for this performance in the old riding …
Continue reading “Mozart, Uccello, Caravaggio and a Riding School Carved from Rock”
Sasa’s name means “so-so” in Portuguese. It’s a little joke, because the gray lusitano gelding is anything but — he’s a beautiful horse who can, like many Iberian equines, claim descent from the war horses of the Renaissance. Look at Uccello’s “Battle of San Romano” and there’s Sasa’s likeness carrying a Florentine general: compact as …
Continue reading “The Language of Riding: A piece for the New York Times’ Menagerie Blog”
